With Deadpool & Wolverine, Marvel Has Lost the Plot
A sad, shallow, and pandering movie that shows the MCU has no real stories left to tell.
A sad, shallow, and pandering movie that shows the MCU has no real stories left to tell.
Channing Tatum and Scarlett Johansson star in what may be the first romantic comedy about government funding disputes.
Yes, cheap imports hurt some American companies. But protectionist trade policy harms many more Americans than it helps.
Costner stars, directs, and writes in what amounts to a three-hour prologue for a better movie.
In the sequel to 2015's Inside Out, letting kids grow up means relinquishing control.
Jeff Nichols tells the tragic story of a carefree Midwest motorcycle gang that transforms into something uglier.
Fake murder, real fun.
A new film depicts Mother Cabrini, the patron saint of immigrants.
The fourth Bad Boys film is an uninspired retread.
My Name is Loh Kiwan dramatizes the experiences of refugees escaping oppressive regimes.
Morgan Spurlock's death and legacy are a reminder that skepticism is a necessary part of any balanced diet.
Arnold Schwarzenegger's classic role colored our perception of AI, for better or for worse.
More philosophical and more Shakespearean than Fury Road, it's another ambitious action extravaganza.
The latest movie in the Apes franchise gestures at interesting ideas about politics and civilizational conflict, but it doesn't develop them.
Private unions have every right to exist, but that doesn't mean they're actually beneficial on net.
It's not a great movie. But it is a great time at the movies.
A witty, erotically charged three-way love story about tennis, sex, and ambition.
Alex Garland's latest post-apocalyptic thought experiment is a war movie without a take.
Dev Patel's action debut is a righteous, wild revenge film.
A dumb, loud movie that delivers the promised monster beatdowns.
The audience's tolerance for the truth about bullying has diminished in our oversensitive age.
While the state senate's bill would cap tax credits at 2.3 percent of the state's budget, any production filming at a big enough studio would be exempt.
A just-good-enough remake fails to live up to its predecessor.
A story about a young man who just wants to legally work, if only the system would let him.
Also: Oppenheimer and Godzilla win at the Oscars, Virginia state lawmakers nuke plans for taxpayer-funded arena, and more...
A charming story of love, friendship, and impersonal urban bureaucracy.
Decades of protectionism have led to the film industry’s decline, but a free market can make it bloom.
The sequel is about ecology, politics, economics, imperialism, and much more. But mostly it's about worms.
Critics are misreading the movie. The wealthy are not the villains in this story.
A shaggy roadtrip comedy set against the backdrop of late 1990s right-wing family values politics fails to come together.
Listless and incoherent, it's a sign of the genre's struggles.
The credit "is at best a break-even proposition and more likely a net cost" for the state.
The credits cost the state over $1.3 billion per year with a 19 percent return on investment. Lawmakers' proposals will do little to change that.
Director Takashi Yamazaki brings to the screen the most dreadful version of Godzilla since the franchise began.
Plus: Chatbots vs. suicidal ideation, Margot Robbie vs. the patriarchy, New York City vs. parents, and more...
John Stossel and the English actress discuss their shared problem—and why they'd like to destigmatize stuttering.
When regulators block entrepreneurs, they take away a golden ticket.
In Jason Statham's latest lowbrow actioner, the bee puns buzz all the way to the top.
In this bizarre East Coast road trip story, there's no American mainstream, just fringes and subcultures.
The program generates just 19 cents for every dollar spent.
To fight the King of the Monsters, private citizens must band together.
Tony Montana has a bloody rags-to-riches story.
In today's innovative economy, there's no excuse for sending a gift card. The staff at Reason is here with some inspiration.
A magical, mysterious deeply personal movie about creation and legacy. And also, murder parrots.
The new film is an anti-epic about the petty awfulness of history's great men.
What if Ramona Flowers bears some responsibility for creating her seven "evil exes" in the first place?
Sharp world building and a strong central performance can't save this dystopian disappointment.